At the 1981 Venice Film Festival, Trotta won the Golden Lion and the FIPRESCI awards, while the actresses who played the title sisters tied for Best Actress.
Die bleierne Zeit (Brasil: Os Anos de Chumbo /Portugal: Anos de Chumbo) [1] [2] é um filme alemão de 1981, realizado por Margarethe von Trotta.. Sinopse.
and to receive email from Rotten Tomatoes and Fandango. At the 1981 Venice Film Festival, Trotta won the Golden Lion and the FIPRESCI awards, while the actresses who played the title sisters tied for Best Actress.
Her boyfriend suggests that they take a vacation. Marianne and Juliane also marked the first time that von Trotta worked with Barbara Sukowa. The film quickly informs us that Marianne has abandoned her husband and child. duration: 110 minutes Political Classics Unable to add item to List. Starring: Doris Schade, Rüdiger Vogler, Barbara Sukowa, Jutta Lampe. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Juliane goes to visit her sister. Juliane becomes so obsessed with her sister and her problems that her own relationships begin to fall apart. With: Jutta Lampe, Barbara Sukowa, Rüdiger Vogler, a.o.
He has nightmares of the fire that nearly killed him. Regal "Ingmar Bergman Names The Eleven Films He Liked Above All Others (1994)", Vision – From the Life of Hildegard von Bingen, A Pigeon Sat on a Branch Reflecting on Existence, https://en.wikipedia.org/w/index.php?title=Marianne_and_Juliane&oldid=984231987, Biographical films about people convicted on terrorism charges, Cultural depictions of the Red Army Faction, Pages using infobox film with unknown empty parameters, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Barbara Kloth and Georg von Kieseritzky, production designers, Monika Hasse and Jorge Jara, costume designers, Ute Ehmke and Lotti Essid, production managers, Jump Cut: A Review of Contemporary Media, no. A meaning that was empathetic to the plight of the terrorist-activist. At the Créteil Films de Femmes, an International Woman's Film Festival, 1981, the film won the Prix du Public and Prix du Jury.
They argue often but Juliane continues to visit her sister. There are 0 reviews and 0 ratings from the United States. Our payment security system encrypts your information during transmission.
The story is interspersed with flashbacks into the sisters' childhood. In America the film was pitched to be less about terrorism and the emotional side of the strained relationship but more about a sisterly relationship that was searching for understanding. Juliane informs her of her husband's suicide and of her intention to find a foster home for Jan. Marianne asks her sister to watch over Jan but Juliane replies "You would have me take on the life that you chose to leave", basically stating "so what's not good enough for you is good enough for me". The sisters' paths continue to cross as Marianne regularly bursts in unannounced to her sister's life. The screenplay is a fictionalized account of the true lives of Christiane and Gudrun Ensslin. Bioskop Film, In regards to the film, Barton Byg notes, "rather than criticize hysterical responses to terrorism, the film employs its emotive power" (Finn 47).