From small acorns, and all that. (If anything, it’s most reminiscent of a mix of Peggy Lee’s version of Till There Was You, and of big Mary Wells fans the Beatles’ cover thereof.). If you don't think that you've Like “Operator” and “When I’m Gone” this is another Wells record that I had already gotten use to by another Motown artist. ( Log Out / Quoth Smokey: “I always had people in mind, and I tried to tailor the songs to what I thought they would sound and feel like… I used to even pick words that they would sing well”. Martha’s version was wisely used on the b-side of the fiery “Live Wire,” showing again she could deliver plenty more (and different) emotion than furiously hollering. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. SONGLYRICS just got interactive. Posted by The Nixon Administration in Mary Wells, Writing credit: Brian Holland (non-HDH), Writing credit: Freddie Gorman, Writing credit: Lamont Dozier (non-HDH), (Written by Brian Holland, Lamont Dozier and Freddie Gorman), (Released in the UK under license through Oriole Records). Lyrics to 'You Beat Me To The Punch' by Mary Wells. (Oh, and if you arrived here looking for the Motown Junkies music group, they're nothing to do with me, I'm afraid - but they are very nice people, and they can be found at www.motownjunkies.com instead.). If you want to leave a comment on any review, please feel free to do so - all feedback, corrections, disagreements and encouragements gratefully received. Mm, I agree – I don’t think it’s a bad match between Mary Wells and HDH per se, I think it’s a bad match between “Smokey’s version of Mary Wells” and “this early version of HDH”, if that makes sense. The Four Tops: “Just As Long As You Need Me”, 692. And as you say, Martha’s half-tempo version is just better, to my ears at least. old love lets try it again by mary wells Lyrics. Love the Love-Tones on this! Mary Wells: “Old Love (Let’s Try It Again)” 22 Sunday Aug 2010. If you've something you'd rather not say in public, I can be contacted at fosse8 at gmail dot com. 1032; Vinyl 7"). If so, you'll need to disable it when using this site, as it spams the websites you visit with fake requests. Motown Junkies has reviewed other Motown versions of this song: You’re reading Motown Junkies, an attempt to review every Motown A- and B-side ever released. We've found 8,241 lyrics, 139 artists, and 100 albums matching old love lets try it again by mary wells. Whether you're new to Motown or a seasoned veteran, you'll find something good here, Check out our radio show:Discovering Motown. Your IP was not banned by a person; it was banned by a firewall that uses an automated algorithm. accordingly. This is an unofficial site, and is not affiliated in any way with Universal Motown, Hip-O Select or any of the artists referred to in the blog. Lover her vocal! You requested a very large number of pages in a very short time, causing problems for our server (this can happen if you hit 'refresh' over and over). You Beat Me to the Punch / Old Love (Let's Try It Again), a Single by Mary Wells. Mary Wells - I Love the Way You Love Lyrics. Click to email this to a friend (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Tumblr (Opens in new window), 693. You can jump straight to the full list of reviews so far in the Master Index, or browse by label instead. Mary gamely gives it her best go, but the material, shapeless and meandering, simply doesn’t give her enough opportunity to show off her vocals. Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content? where can i find the music for old love by mary wells. Get instant explanation for any acronym or abbreviation that hits you anywhere on the web! Great party record! ”. (Or maybe you’re only interested in Mary Wells? >”Quoth Smokey: “I always had people in mind, and I tried to tailor the songs to what I thought they would sound and feel like… I used to even pick words that they would sing well”. ( Log Out / This is forbidden by our terms of service. While it’s not exactly a clunker, this falls well short of the trio’s later work, as well as the songs written for the Marvelettes by Holland-Dozier-Gorman at around the same time. ( Log Out / Love the arrangement! As this B-side shows, the truth was rather more prosaic. What a great insight. Our automated banning policies are not perfect and sometimes too strict, and some IP addresses are banned by accident. Click for more.). If you're looking for something a bit more specific, you can click an artist's name in the "Artist" menu at the top of the screen to see a little biography and all the reviews we've done for them so far. One of Motown’s best cha-cha records! Not far ahead their “You Lost The Sweetest Boy” and “One Block From Heaven” would prove that, working with HDH, Wells could lay down stomping, dance floor-filling sides as well any of her Motown labelmates. “so you came up to me” really sounds like Carole King – or vice versa – actually I think it’s a later CK song that it matches. The HDH trio was so prolific in the mid-Sixties, and responsible for so many enduring hits, that it’s almost tempting for modern historians to bestow a kind of Hollywood glow on their rise to fame – Lamont Dozier met the Holland brothers, it was fate, the three clicked immediately, and they set about writing and producing a stream of classic records. Highlight. And this doesn’t, not really. Slowed down to roughly half speed, it became a cut on Martha and the Vandellas’ debut LP, Come And Get These Memories (a Holland-Dozier produced record) in 1963, as well as featuring as a future B-side for that group. More info about the blog (and me) can be found here. The Four Tops: “Shake Me, Wake Me (When It’s Over)”, 679. It’s not terrible or anything, and the central lyrical conceit – Mary asking an ex-boyfriend if he’d like to get back together – is quite sweet, bad scansion notwithstanding.