Paul Cadmus American, 1904-1999 Studies for a Portrait: Ilse Bischoff Signed Cadmus (ur); inscribed indistinctly 29 (?) 19, 1998 C A New England Collection. Doyle New York shall have no responsibility for any error or omission. Biography. Condition Report: His paintings combine elements of eroticism and social critique in a style often called magic realism. The home and studio had been a gift from his brother-in- law and director of the New York Ballet: Lincoln Kirstein. x 27 in., sight: 12 3/4 in. Provenance: Estate of Paul Cadmus (d. 1999) afterwards Jon Anderson (d. 2018). Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Kirstein was one of many eminent friends and admirers of his work that Cadmus had gathered close over the preceding years.. Luminaries from the world of ballet such as George Balanchine writers and academics like W. H. Auden, and Christopher Isherwood. Questo accadeva quando i gay erano quasi sempre costretti a rimanere omosessuali non dichiarati per paura di ritorsioni legali, sociali e professionali. 1/4 x 1 inch tape residue at upper left and upper right corners, recto. Paul Cadmus American, 1904-1999 Female Nude FFF Signed Cadmus and inscribed #FFF (lr) Graphite and ink on paper 9 14/16 x 7 1/2 inches Provenance: DC Moore Gallery, New York Literature: Guy Davenport, The Drawings of Paul Cadmus, New York, 1989, p. 24, illus. Crayon on renaissance paper $6,000 - $10,000, Description: Questo fu l'inizio del 1930 quando gli artisti di tutto il mondo stavano sposando idee socialiste come Diego Rivera. Dopo un paio di mesi di lavoro nel progetto arti pubbliche Cadmus aveva prodotto due opere: Greenwich Village Cafeteria e il famigerato ". Condition Report: Scoprì più tardi che quando Henry Roosevelt morì nel 1936 aveva erroneamente donato la pittura a L'Alibi Club di Washington DC. The images of the lot form part of the condition report for the lot provided by Sotheby's. Paul Cadmus: The Male Nude 1950-1999,October 10-November 9, 2002 Estimate: Very good condition. x 20 3/4 in. Sheet 9 3/4 x 10 5/8 inches; 248 x 270 mm. PAUL CADMUS Study for Winter: Second Version. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. [21] In the photographs, 14 of which survive today, Cadmus and French vacillate between exposure and concealment, with French generally being the more exhibitionist of the two. Paul Cadmus DANCERS RESTING (D. 55) Lithograph printed in black with extensive hand-coloring in white and cream crayon, 1974, on olive green wove paper, signed and inscribed artist's proof in pencil, with full margins, framed. Smithsonian American Art Museum (8th and G Streets, NW), about Steel and Sky: Views of New York City, about Modern American Realism: Highlights from the Sara Roby Foundation Collection, about Modern American Realism: The Sara Roby Foundation Collection, about Graphic Masters III: Highlights from the Smithsonian American Art Museum, Inventories of American Painting and Sculpture, Art Bridges + Terra Foundation Initiative, Modern American Realism: Highlights from the Sara Roby Foundation Collection, Modern American Realism: The Sara Roby Foundation Collection, Graphic Masters III: Highlights from the Smithsonian American Art Museum, Using the Nam June Paik Archive - Access and Hours, Highlights from the Nam June Paik Archive, Online Resources for Researching Nam June Paik, Publication Requests for the Nam June Paik Archive. In 1990, Michael Kimmelman wrote that Cadmus' art served "as a reminder that, contrary to the standard view, realism was still a vital tradition in American art during the middle of this century, one that drew from many of the same sources that inspired the Abstract Expressionists who were widely thought to have rendered realism obsolete. Suspiciously it vanished for decades from the public view, only later to turn up in the possession of a deceased admiral. Cadmus, an American artist whose work fused Renaissance forms with contemporary satire, blending magical landscapes and an idealization of the male body into a colourful portrayal of American vice and virtue.. Unframed - (1), Estimate: Description: “, The scandal generated huge publicity and notoriety for the young artist and Cadmus would later say that it was Admiral Rodman he had to thank for his national fame and success. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Suo padre era un artista commerciale che lavorava nell’industria pubblicitaria, e sua madre illustrava libri per bambini prima del suo matrimonio, ma la famiglia, che includeva la sorella minore di Cadmus, era ancora abbastanza povera. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. $15,000 - $25,000. Sheet 5 1/4 x 4 1/8 inches; 133 x 105 mm. Cadmus era ignaro di ciò che era accaduto alla pittura dopo la confisca da parte dell’ammiraglio Rodman. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Estimate: Ed of 50 1934' in margin bottom left, etching Image Size: 7 1/2 x 14 in. In the same interview Cadmus said “. Bisogna ricordare che tutto questo avveniva prima dei movimenti di liberazione gay negli anni sessanta. : Fair Paintings are Gone Again, For Good," Chronicle, San Francisco, California, 8 August 1940 "Cadmus' Tars Under Fire at San Francisco Fair," Newsweek, 19 August 1940 "Baltimore Examines Paul Cadmus, Satirist," The Art Digest, 1 September 1942 E.N.