William H. Macy, | AP Read the review, Relegated to telly in the US, Steven Soderbergh’s wondrously funny and lavish Liberace biopic had a cinema release in the UK. Not to mention the killer acting and the game-changing moves that turn the table every time the plot seems to be heading towards a definite direction. She wants to leave Iran and take their daughter. It’s simply revelatory: innovative, wildly affecting, utterly beautiful. Artemis Tsatsaki is an Athenian living in the UK. The film’s climax is the massacre of Palestinian refugees by Christian Phalangists at the Sabra and Shatila refugee camps. Tell us what you think about this feature. With Clooney running the show, each step in the elaborate scheme to takedown Andy Garcia's casino baron feels like both. $113.20M, PG-13 115 min Brian Cox, Votes: Idris Elba, Well, the first half, anyway. Liars. Action, Drama, Thriller. The latest Marvel movie is a blueprint-designed heist movie. Drive tells the story of the Driver (not unlike The Bride, his name is not revealed), played by Ryan Gosling, who works as a stunt driver and moonlights as a for-hire getaway driver. It was the first film with an all-black cast as well as with an LGBTQ theme to scoop the prize – and it must also rank as one of the most visually and tonally ambitious: told in three parts, with three different leads, each showing the stages of repression and internalised loathing in the young life of a Miami man. $9.53M, PG-13 The dreamscape, the multiple levels, the incredible visuals all came together in one of the wildest rides in film history. AP Read the review, Steven Soderbergh is the Renaissance man of American cinema, and this intricately crafted heist movie – remade from the old Frank Sinatra chestnut – shows him on never-bettered, commercially minded form. $4.43M, PG-13 AP Read the review, Twelve years in the shooting, Richard Linklater’s story of a child’s life between six and 18 is a vindication of artistic ambition in an age of cinematic snacking. CC Read the review, The triumph of Barry Jenkins’s coming-of-age tale over La La Land for the best picture Oscar was extraordinary in all sorts of ways, of which Faye Dunaway’s envelope mixup was maybe the least remarkable. Jonathan Demme To read Northup’s 1853 memoir is to be astonished by the film’s fidelity. Action, Crime, Drama. CC Read the review, Charlie Kaufman’s existential breakdown with stop-motion puppets is a miniature masterpiece of concept and execution. All the latest gaming news, game reviews and trailers. | Gross: Incredibly glamorous and miserably heartbreaking, this film gave notice of Aronofsky’s brilliance. $176.24M, PG-13 The brilliance has faded. Director: 128 min AP Read the review, Iranian-French director Marjane Satrapi adapted her own graphic novel in this animated fantasy-memoir about a 10-year-old girl growing up in Tehran after the 1979 revolution. They both feel criminal. However, with the proper twists, direction, and performances it can always rise anew and original. CS Read the review, An early lead for Ben Whishaw as the ailing John Keats romancing Fanny Brawne (Abbie Cornish) is the tremulous soul of this underappreciated Jane Campion drama. Action, Comedy, Crime. Unfortunately, not all heist films are well-made or even worth watching—and a lot of the good ones are dated and hard to find on modern streaming platforms. All of his films are just so good, and his latest in Baby Driver keeps the trend going. Stars: Haynes takes the bold, vivid melodrama beloved of Douglas Sirk, and reconfigures it to fully reveal the social faultlines of race, sex and class that were considerably more latent in the original. Biography, Drama, Thriller. CS Read the review, Ang Lee’s romance missed out to Crash for the best picture Oscar, but its legacy as a five-hankie ode to doomed romance lives on. Interestingly, in the film the heist is dubbed “Ocean’s 7-11” by the media. For now, the below top 10 are the ones to beat, continuing a precedent set by films like Topkapi, The Thomas Crown Afair, The Getaway, and Heat. | Gross: | John Malkovich, Votes: A CIA agent goes on the run after a defector accuses her of being a Russian spy. But it works! Director: Set in their home town of Minneapolis in the late 60s, A Serious Man stars Michael Stuhlbarg as an academic whose life is roiled by continuing uncertainty and self-doubt – triggering repeat visits to his rabbis, a marriage breakdown and extended interactions with his oddball brother.