The addition of outside producers, including frequent Madonna collaborator Stephen Bray, further expanded Minogue’s repertoire to include new jack swing and hip-hop, putting the artist somewhere near, if not in, the same league as her female chart rivals for the first time. Reviewed in the United States on August 19, 2016. there were a couple of other noteworthy ones, but half the songs were just plain weird to me. Crow is best known for VH1-friendly rock, and her voice isn’t exactly sultry or powerful, qualities possessed by k.d. It still sounds fresh today as it did back in 1993. “Shut Up” finds Grande venturing into chamber pop, her cascading vocal lines propped up by plucky strings and orchestral flourishes, but the song sputters out soon after it reaches its swirling, cinematic climax. The music video for “Positions,” which was directed by Dave Myers, finds Ariana in the role of president, dressed in Jackie O-worthy duds and effortlessly juggling both affairs of state (with an all-female cabinet, natch) and business in the bedroom. Reviewed in the United States on August 16, 2001. Find album reviews, stream songs, credits and award information for Orbital - Orbital on AllMusic - 1991 - The U.S. version of Orbital's debut album serves… I don’t know what co-producer and Janet’s then-boyfriend Jermaine Dupri thought he meant when he said he wanted 20 Y.O.
With Orbital 2, the brothers went to great lengths to show that some of their primary interests lie beyond the dance floor, as influences like Miles Davis and Steve Reich crept into the fragmented, floating arrangements. Reviewed in the United States on December 14, 2012, Orbital are weird, and their music may be politely described as "experimental." I can listen to it and never get tired of it. Whether playing 50-year-old songs or brand new ones, the E Street Band proves that when they’re in their element—as they are on this album—they can elevate the Boss to his best. It came in quick, there was no wait and there werent any scratches i easily transfered the cd to my itunes and store my cd for safe keeping, EXCELENTE CONDICIÓN, RAPIDÍSIMO ENVIO Y EN BUEN ESTADO. (Perhaps emulating classic 12” house records, a handful of songs—“Where Is the Feeling,” “Where Has the Love Gone,” and “Falling”—all run about two minutes too long.) The song I cared about is "Halcyon and on and On", Reviewed in the United States on November 11, 2014. Your recently viewed items and featured recommendations, Select the department you want to search in, + No Import Fees Deposit & $9.98 Shipping to Netherlands. The singer’s eighth album, Damita Jo, features a slew of the gooey, structureless sex ballads that had become her staple, including “Warmth,” three-and-a-half minutes dedicated to describing how Ms. Jackson If You’re Nasty gives a blowjob (and yes, she’s a method actress, whispering sweet nothings with her mouth full). Label: Republic Release Date: October 30, 2020 Buy: Amazon. If you don't like this album then you can't truly like electronica music. Nothing here reaches the high camp of Minogue’s 2001 single “Your Disco Needs You,” but the infectious “Monday Blues,” which boasts intertwining strands of disco DNA from both Chic and Kool & the Gang, makes a valiant attempt. Too many of the songs on Positions, however, rely on the same midtempo trap-pop that populated Grande’s previous two efforts, particularly Thank U, Next. it's really brilliant if you consider that this is almost 20 years old, Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z. “Sincerely Yours” is a “love letter” most likely directed at tour audiences—“This is not the end, I’ll come back again/You’ll still see me, you’ll still hear me”—but it’s hard not to imagine Minogue singing it as penance to fans eagerly awaiting her return to dance music. Unfortunately I have to say when I think of cheesy Techno, this is instantly comes to mind. Reviewed in the United States on December 28, 2005. was the first Janet album that Jimmy Jam and Terry Lewis produced (this time only in part) after moving from Minneapolis to Los Angeles. Audio CD, Original recording reissued, January 10, 2012. Over the course of two decades, the Mountain Goats have maintained a near-peerless level of quality even as they’ve evolved their distinct folk-rock sound in unexpected directions. In fact, Minogue seems to have made a decennial tradition of it, having previously re-embraced dance music on 2000’s Light Years and 2010’s Aphrodite. Getting Into Knives does bear the distinction of being perhaps the most electric guitar-dominated Mountain Goats album to date. The 1965 song would feel like a pale imitation of “Goldfinger” were it not for Jones’s imposing vocal presence and impressive conviction (Jones reportedly fainted while performing the song’s final note). A must own. This CD is worth the price, if only for that one song. Disco’s opening track, “Magic,” sweetens its mix of squelchy bass synth and staccato horn stabs with just a dollop of schmaltz: “Do ya, do ya, do ya/Do ya believe in magic?” The album’s lyrics are generic and vaguely uplifting enough to project onto any personal or global disaster: “Oh, we all got wanderlust in the darkest place,” Minogue sings on “Say Something.” Vocally, her voice sounds tinny throughout, a mixing deficiency that similarly plagued her last few albums, but the singer effortlessly slips into her head voice on “Magic,” heightening the song’s buoyancy, while talk-box effects and digital editing add some sonic interest to “Real Groove” and “Dance Floor Darling.”.