"[12] On September 7, Sargent wrote "still at Paramé, basking in the sunshine of my beautiful model's countenance. There's no mention of arsenic, so maybe she didn't use it? Madame X or Portrait of Madame X is the informal title of a portrait painting by John Singer Sargent of a young socialite named Virginie Amélie Avegno Gautreau, wife of Pierre Gautreau. At her suggestion, Sargent traveled to her estate in Brittany in June, where he commenced a series of preparatory works in pencil, watercolors, and oils. He also changed the title, from the original Portrait de Mme ***, to Madame X – a name more assertive, dramatic and mysterious, and, by accenting the impersonal, giving the illusion of the woman archetype.
The English-language term "professional beauty", referring to a woman who uses personal skills to advance to elite status, was also used to describe her. (208.6 x 109.9cm) Framed: 95 3/4 x 56 5/8 x 5 in.
and nothing in the article expresses the "bad thing" to cause a scandal... 85.99.182.150 (talk) 09:00, 18 September 2010 (UTC). When Portrait of Madame X debuted, it was more suggestive than it is today. "[12] By the fall, Sargent's interest in the venture was nearing completion: "The summer is definitely over and with it, I admit, is my pleasure at being at Les Chênes [Gautreau's estate]. Sargents' skillful use of lighting makes the background glow and recede at the same time. The right arm is drawn boldly forward, while the left one retreats, but at the same time remains on full display.While a little removed from the viewer, Madame Gautreau nonetheless dominates the center foreground, while the low table on the left-hand side provides a counter-balance without taking attention away from her. i didn't understand -after reading this article- what was the reason of the scandal. Painted by request of the artist, it depicts a young socialite named Virginie Amélie Avegno Gautreau – a popular subject for artists who was praised for her beauty – wearing a black satin dress with jeweled straps. For Sargent, the scandal resulting from the painting's controversial reception at the Paris Salon of 1884 amounted to the failure of a strategy to build a long-term career as a portrait painter in France,[2] though it may have helped him establish a successful career in Britain and America.[3]. "[17][18] A second, unfinished version of the same pose, in which the position of the right shoulder strap remained unresolved, is in Tate, London. Find more prominent pieces of portrait at Wikiart.org – best visual art database. Floryan, Meg, "Sargent's Madame X (Madame Pierre Gautreau). She is surrounded by a rich brown which is at once luminous and dark enough to provide contrast to the skin tones. [8], Classical sources, such as the figures in a fresco by Francesco de' Rossi (Il Salviati), have been suggested as inspiration for the pose. Sargent ranked this as one of his best works, but it was also one of his most controversial. ndmtag.cmd.push(function() {
Portrait of Madame X is a painting of Virginie Amelie Avegno Gautreau (1859-1915), the New Orleans-born wife of Pierre Gautreau, a wealthy businessman. The model was an American expatriate who married a French banker, and became notorious in Parisian high society for her beauty and rumored infidelities. Discouraged by his Parisian failure, Sargent moved permanently to London. …is probably his best-known picture, Madame X, a portrait of Madame Gautreau, a famous Parisian beauty. De website probeert alle woordenlijsten op het internet, groot en klein, samen te brengen om het zoeken naar woorden makkelijk te maken. Sargent regarded it as his masterpiece and was disagreeably surprised when it caused a scandal—critics found it eccentric and erotic. 4.5 out of 5 stars … This is a serious problem. It was positioned slightly above the viewer in order to make Madame Gautreaus' painting more commanding. Medium: Oil on canvas. function ggetSelection() {var txt = '';if (window.getSelection) {txt = window.getSelection();} else if (document.getSelection) {txt = document.getSelection();} else if (document.selection) {txt = document.selection.createRange().text;}return txt;}$(document).dblclick(function(e) {var t = ggetSelection();if (t) document.location='https://www.encyclo.nl/begrip/'+encodeURIComponent(t);});
window.ndmCmpConfig = {forceLocale:'nl',customColor:'#f86924',privacyPolicy:"https://www.encyclo.nl/privacy.php"};
Sargent regarded it as his masterpiece and was disagreeably surprised when it caused a scandal—critics found it eccentric and erotic. [18], Seven years after Sargent painted Madame Gautreau, Gustave Courtois painted her. It necessitated that Gautreau stand with her body facing the artist while her head was turned away, her right arm extended behind her for support, her hand on a low table; the result was to create tension in the neck and arm as well as to emphasize the subject's elegant contours.
jQuery(function(){jQuery('ul.sf-menu').superfish({delay:500,animation:{opacity:'show',height:'show'},speed:'normal',autoArrows:false,disableHI:true});var viewportmeta = document.querySelector && document.querySelector('meta[name="viewport"]'),ua = navigator.userAgent,gestureStart = function () {viewportmeta.content = "width=device-width, minimum-scale=0.25, maximum-scale=1.6";},scaleFix = function () {if (viewportmeta && /iPhone|iPad/.test(ua) && !/Opera Mini/.test(ua)) {viewportmeta.content = "width=device-width, minimum-scale=1.0, maximum-scale=1.0";document.addEventListener("gesturestart", gestureStart, false);}};scaleFix();})