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Tagged: Mental Illness | Getting Old.

[4] The singer notes that he is "not the kind of man who tends to socialize" but rather leans "on old familiar ways" and is "still crazy after all these years.

I’m not the kind of man

So appropriate to the lives of Simon's contemporaries in the mid seventies that his publishing house must have been inundated with requests for instruction sheets. Still crazy after all these years Meaning, of course, that his peers -- by implication, all of us -- are in the same shape he is. Just eleven years on the Still Crazy CD has been put out with a "Historic Reissue" flash!

As always with Simon, there are lots of good story songs, and strong soul, jazz and gospel influences as well as his own original melodic strain. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment.

[5] G major returns in the final verse, but modulates to the slightly higher key of A major, which according to author James Bennighof gives "a faint sense of slightly demented triumph to the singer's declaration that he wouldn't be held responsible for his potential mayhem.

All lyrics provided for educational purposes only. On "50 Ways," the protagonist says: In the very subtle "You're Kind," the singer is absolutely eloquent about the reasons why there finally aren't any reasons when two people decide to call it quits. "[5][6] Music critic Walter Everett considers this modulation to reflect the singer's "unpredictable emotional and mental state. - Leland Rucker, Musichound Rock: The Essential Album Guide, 1996. We have the answer. I hope in 1977 I'm not moved to praise unduly the small, self-involved ironies that define this record at its best ("50 Ways to Leave Your Lover," "You're Kind") without alleviating its lugubriousness ("Night Game," "Silent Eyes").

Even the fools don't act foolish in his songs, for such gratuitous and unchic behavior simply cannot be permitted in a closed off society where class and proper emotional manners are rated more favorably than quixotic clownishness and primal risk taking.

But there was at least one cut on it so good that it validated the whole album ("American Tune," a just-about-perfect poem, song, or record).

Disappointingly, it suffers an attack of terminal cuteness during its facile chorus, which scans like an ad for Cosmopolitan. For inside the lush and dolorous Still Crazy, there is a lean, hungry Blood on the Tracks trying to get out. Simon has flirted profitably with the genre in the past, but here he seems to be deadly serious. "Still Crazy After All These Years" is a song by the American singer-songwriter Paul Simon. - David Prakel, Rock 'n' Roll on Compact Disc, 1987.

"Still Crazy after All These Years" is the album's best song because it is the only one that successfully breaks through the stylistic barrier between Simon's subject matter and its natural implications and confronts both artist and audience directly. * * * *. div_id: "cf_async_" + Math.floor((Math.random() * 999999999)) Other Seventies Discs | var opts = {

But it works scarcely less well than the color-coordinated pain-yellow sky, gray grass, orange juice, orange and blue rug -- of "I Do It for Your Love," a song whose interior contains more decoration than intensity. artist: "Paul Simon", ... Paul Simon: Still Crazy After All These Years Meaning. First, he first performed the song on October 18th, 1975 during the show's first season. Up there, there is almost no chance of being misunderstood or disliked, and everyone takes you seriously. All lyrics are property and copyright of their owners. Still Crazy After All These Years I met my old lover On the street last night She seemed so glad to see me I just smiled And we talked about some old times And we drank ourselves some beers Still crazy afler all these years Still crazy after all these years I'm not the kind of man Who tends to socialize I seem to lean on Old familiar ways Guests include the likes of Roger Hawkins, David Hood, Art Garfunkel (on "My Little Town"), Toots Thielemans, the Jessy Dixon Singers and Bob James and Joe Beck, with James handling some arrangements.

[5] The first and second verses are primarily in the key of G major, although there are some unexpected harmonies that differ between the verses. I don't think there is a single cut on it that is less than inspired, and the overall impression it leaves is of a glorious musical eclecticism and a concise, probing, and funny lyrical awareness. Now I miss its intimations of universality. If Still Crazy ultimately lacks the courage of its convictions -- the fake-gospel "Gone at Last" with Phoebe Snow just doesn't belong; too many songs seem aesthetically schizophrenic -- there is every indication those convictions were meant to be far-reaching.

"[2] The "old lover" has been variously interpreted to be either Simon's ex-wife Peggy Harper, from whom he was recently divorced, his former girlfriend from the 1960s Kathy Chitty, or even Simon's former musical partner Art Garfunkel, who appears on the song that follows 'Still Crazy After All These Years" on the album.

[5] The key of the third verse, the B section, is never resolved. What does Paul Simon's song Still Crazy After All These Years mean?

But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns.

The follow-up, There Goes Rhymin' Simon, was a lot more ambitious and a lot less satisfying, the eclecticism giving way to an everything-but-the-kitchen-sink approach and an over-reliance on the Muscle Shoals sidemen who play exactly the same way for Paul Anka. It was reissued in 1988 by Warner Brothers Records as Warner Brothers 25591.) On the latter, the singer claims: Meaning, of course, that his peers -- by implication, all of us -- are in the same shape he is. B. First studio LP in several years from this superstar is a collection of exceptionally pretty and melodic songs with an occasional rocker tossed in to balance things out. For me, Paul Simon's finest hour remains that superb first solo album, one of the great records of the Seventies. - William Ruhlmann, The All-Music Guide to Rock, 1995.

Simon has performed the song three times on the late-night comedy series Saturday Night Live.